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  • How To Prepare For Your First Game Expo

    - Natalie Mikkelson
  • This article was originally published at Indie Game Writing.

    They're exhausting and stressful, but I bloody love a good game show. Of course there's a lot to consider when you're organising your own booth; it can be overwhelming. So here's what I've learned from expos so far to prepare smoothly and get the most benefit from showing your game...


    First off, what is it that you want to achieve from showing your game at an expo? Player feedback? Press coverage? Brand awareness? Sales? I strongly believe that for an indie game developer, short term sales from individual visitors should not be the primary goal of displaying your game at a show.

    Just before exhibiting at Tokyo Game Show last year, I took part in a very useful Trade Show Initiative workshop with the DIT. The two lecturers were shocked that I wasn't tracking sales because I didn't see it as a goal. I learned something pretty useful that day - how to track conversion rates and activity during an expo, but I still stand by my original opinion despite that.

    To me, there's a lot more potential in longer term, indirect sales achieved through good press coverage, and this deeper brand awareness should be what we're gunning for. But, I did take the advice I learned and I pushed individual sales, and tracked them too. I was on Tokyo Game Show with my leaflets like a NINJA. Apparently people are pretty hot on QR codes in Japan, so I made sure to use lots of QR codes linking to our store page on all our marketing literature.

    How many scans did I track? 9... Nine scans from the two thousand leaflets we handed out. On top of this, our sales really did not change considerably during our time at the show, and definitely not enough to cover our exhibition costs. However... A few days after the show, Famitsu and 4Gamer published interviews with us and our sales increased 430%. It was a huge sales spike that paid for the show and left plenty of profit to spare. But more important than that, we made an impression in Japan and got our foot in the door.

    So with that in mind, don't think of the little sales - think big!

    Pre-show Marketing

    On average, 75% of visitors at an exhibition will come with a short list of specific booths in mind to see. The most important part of exhibition marketing starts long before the show in order to entice these visitors. So, we need to reach out to new potential players, established fans, plus YouTubers and journalists (and maybe distributors or publishers). Here's a few ideas how:

    • Offer out a select number of invitation tickets (some events give these to developers, some don't) to your established fans as a super nice way to connect with your community.
    • Announce your presence and invite people to visit via various social media. Make sure to use the relevant show hashtags! Here you could even offer incentives to drop by such as competitions, discounts, freebies, special codes etc.
    • Work with the organisers to feature your game in their newsletters and announcements. Get your nag on. Naggers be winners.
    • Email attending press and invite them for a chat. You can ask the event organiser for a press list or, failing that, look up who attended in previous years. 60% of attendees are usually repeat visitors. Twitter is also a great way to connect with people before hand, especially by keeping a close eye on event hashtags.

    Staff Prep

    This is especially important if you're hiring interpreters, temporary booth staff or recruiting volunteers. Prepare yourself and your staff before the show, particularly the last two points for everyone:

    • Printing fact sheets with specific information for journalists is highly useful in encouraging coverage. Think of it like a press release including any key facts they might find relevant.
    • For any temporary staff in particular, send documentation in advance that outlines your product, the message you're trying to convey, objectives for the show, and any other key information such as dress code.
    • Keep a shared document to add feedback from player observation - features they struggle with, parts that turn them off, or things they particularly love. Any feedback you take away from this will be valuable in itself.
    • Prepare and memorise your elevator speech beforehand. Learn to summarise the key selling points of your game in a sentence or two. You want to tell people what makes your product different, as well as a precise call to action.
    • Make sure you have an easy way of recording leads - who they are, what to send them etc. Relying on random pocketed business cards alone can get very messy.

    Follow up

    90% of business secured from a show results from follow-up work in the immediate days after. Hopefully you're keeping records of your leads, right? Make sure to divide them into A (hot), B (warm) and C (cold). Contact all A's within 48 hours - the best results come from follow-ups made within 5 days. Personalise your email to them and jog their memory of who you are by reminding them of your conversation and offering them a code or something nice and special.


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